It began as a question about what clothing owes the body over time.

Drawing on the traditions of classical dressmaking while continually experimenting with material transformation, the practice is rooted in the belief that garments acquire meaning slowly. Through wear, repetition, repair, and care, they evolve beyond the moment of their making.

Rather than fixed objects, the garments are understood as living forms, shaped by movement, memory, and use. They exist within the rituals of everyday life, gathering traces of human experience and carrying them forward.

GOODKILL is an exploration of what clothing can become when it is allowed to age, adapt, and endure.